"Planted Responsibility – Negar Farajiani's Tehran Monoxide Project" In: Tehran Monoxide Project, ed. by Negar Farajiani, University of Irvine, CA, 2022.
Behind Bars - Golnaz Behrouznia - On Cycles and Organisms, in the course of the program "Behind Bars" at La Maison Des Chapitres, Forcalquier read here, 2021.
Sushi or Whale in Plastic, in the course of the program "Behind Bars" at La Maison Des Chapitres, Forcalquier, read here, 2021.
Networks - On the (in)visible Links of the world, in: Unlimited Rag, 2020.
Sandstorm - And Then There Was Dust, ed. by Sarah Maske, Exh. cat. Depo, Istanbul and Galerie im Körnerpark, Berlin, 2020.
"Maria Thereza Alves, Seeds of Change - A Floating Ballast Seed Garden" In: We Love Women in Art, ed. by Bianca Kennedy and Janine Mackenroth, 2020.
"Beatriz Morales - The Color Archaeologist", 2020, read here
“Materialize Me! Sequential Processes in Sculpture“ In: The Process of Becoming, Exh. cat. Viborg Kunsthal, 2020.
„Mysterious, Uncanny, Intuitive, Unconscious - Amit Berlowitz, Madeleine Boschan, Dadamaino, Dominique Gonzalez-Foerster" In: 31: Women (Exhibition Concept after Marcel Duchamp, 1943), ed. by Renate Wiehager, Exh. cat. Daimler, 2020, read here
"Sound - Strukturieren, Zerstreuen, Mischen" in: So4thF, ed. by Renate Wiehager, Exh. cat. Daimler, 2019, read here
"Panglossian", Introduction to Janine Mackenroths solo exhibition at aquabit gallery, 2019, read here excerpt
“Activistic Women's Rights Groups: Claims and Methods.” In: Global Activism, ed. by Peter Weibel, Cambridge, MA: The MIT University Press, 2015.
“The Standing Man – An Interview with Erdem Gündüz.” In: Global Activism, ed. by Peter Weibel, Cambridge, MA: The MIT University Press, 2015.
Andreas Beitin and Sarah Maske: “Mediale Wanderungen. Mit Wolf Vostells Werk 'Transmigración II' konnte das ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe einen historischen Meilenstein der Medienkunst für seine Sammlung erwerben.” In: ARSPROTOTO 3, 2013, read here
“Fluxus und die Manifeste von George Maciunas – Theoretische Basis, politische Stellungnahme oder Werbemittel?” and “Biographies and Images” In: Fluxus at 50, exh.cat. Museum Wiesbaden 2012.