"Planted Responsibility – Negar Farajiani's Tehran Monoxide Project" In: Tehran Monoxide Project, ed. by Negar Farajiani, University of Irvine, CA, 2021 (in print). 

 

Networks - On the (in)visible Links of the world, in: Unlimited Rag, 2020.

 

Sandstorm - And Then There Was Dust, ed. by Sarah Maske, Exh. cat. Depo, Istanbul and Galerie im Körnerpark, Berlin, 2020. 

 

"Maria Thereza Alves, Seeds of Change - A Floating Ballast Seed Garden" In: We Love Women in Art, ed. by Bianca Kennedy and Janine Mackenroth, 2020. 

 

"Beatriz Morales - The Color Archaeologist", 2020, read here 

 

“Materialize Me! Sequential Processes in Sculpture“ In: The Process of Becoming, Exh. cat. Viborg Kunsthal, 2020. 

  

„Mysterious, Uncanny, Intuitive, Unconscious - Amit Berlowitz, Madeleine Boschan, Dadamaino, Dominique Gonzalez-Foerster" In: 31: Women (Exhibition Concept after Marcel Duchamp, 1943), ed. by Renate Wiehager, Exh. cat. Daimler, 2020, read here

 

"Sound - Strukturieren, Zerstreuen, Mischen" in: So4thF, ed. by Renate Wiehager, Exh. cat. Daimler, 2019, read here 

 

"Panglossian", Introduction to Janine Mackenroths solo exhibition at aquabit gallery, 2019, read here excerpt 

 

“Activistic Women's Rights Groups: Claims and Methods.” In: Global Activism, ed. by Peter Weibel, Cambridge, MA: The MIT University Press, 2015.

 

“The Standing Man – An Interview with Erdem Gündüz.” In: Global Activism, ed. by Peter Weibel, Cambridge, MA: The MIT University Press, 2015.

 

Andreas Beitin and Sarah Maske: “Mediale Wanderungen. Mit Wolf Vostells Werk 'Transmigración II' konnte das ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe einen historischen Meilenstein der Medienkunst für seine Sammlung erwerben.” In: ARSPROTOTO 3, 2013, read here

 

“Fluxus und die Manifeste von George Maciunas – Theoretische Basis, politische Stellungnahme oder Werbemittel?” and “Biographies and Images” In: Fluxus at 50, exh.cat. Museum Wiesbaden 2012.